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Winged Cyrus Stone Relief

untitled.107.gif Winged Cyrus Stone Relief
INFO.jpg Winged Cyrus Stone Relief
untitled.102.jpg Winged Cyrus Stone Relief
untitled.103.jpg Winged Cyrus Stone Relief
untitled.104.jpg Winged Cyrus Stone Relief
untitled.105.jpg Winged Cyrus Stone Relief
cw_obj.obj Winged Cyrus Stone Relief
cw_stl.stl Winged Cyrus Stone Relief
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Creation quality: 5.0/5 (1 vote)
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  • 5 likes
  • 4 downloads
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3D design format
BLEND, DAE, MTL, OBJ, STL, X3D, and ZIP Folder details Close
  • cw_dae.dae
  • cw_obj.mtl
  • cw_obj.obj
  • cw_stl.stl
  • cw_x3d.x3d
  • cwall_3dfiles_and_textures.zip
    • cw_abc.abc
    • cw_dae.dae
    • cw_fbx.fbx
    • cw_glb.glb
    • cw_obj.mtl
    • cw_obj.obj
    • cw_stl.stl
    • cw_usdc.usdc
    • cw_x3d.x3d
    • export.blend
  • cwalltextures.zip
  • export.blend

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Publication date 2022-09-17 at 16:50
Design number 849945
sepiscope

sepiscope

3D printer file info

3D model description

details :

Model is remeshed solid and ready for 3d print
normal maps and ambient occlusion map are included for better renders

Triangles : 58802
Vertecies : 176406

about :

ancient gate of king cyrus the great in Pasargadae

The winged figure has been interpreted as either a winged genii, or as some form of idealized portrait of Cyrus the Great, possibly representing the King's 'Fortune'. Some interpretation such as this seems inevitable, given that the figure wears a crown and Elamite royal robe. 'Resting on the long twisted horns of the Abyssinian ram (Ovis longipes palaeo-egyptiacus), between two opposed uraei of the headdress consists of three bunches of reeds, each surmounted by a solar disc and each set against a background of ostrich feathers. Three solar discs with concentric circles mark the bottom of the reed bundles.... The body of the figure is clad in a full-length, fringed robe that passes over the right arm. On both the vertical and horizontal hems the fringe is backed by a narrow border of rosettes, each rosette having eight petals and eight minute sepals' (David Stronach, Pasargadae-1978 p.50). The crown, though ultimately of Egyptian origin, seems to have been borrowed from the repertoire of Syno-Phoenician art.

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